Hardware Features

Sort By: Post DateTitle Publish Date
Team HCC  |  Aug 19, 2012  |  0 comments
£1,000 2D System – built by Mark Craven

Remarkably, putting together a home cinema system for just £1,000 can be achieved. It won’t represent the cutting-edge in AV, and you’ll struggle if you want 3D, but you can get lossless 5.1 audio, Full HD visuals and more goodies if you spend time shopping around.

Martin Dew  |  Oct 06, 2018  |  First Published: Oct 05, 2018  |  0 comments
Having spread its wings into home cinema and VR, and astonished moviegoers with last Summer's Dunkirk, IMAX is on a roll. We quiz IMAX CTO Brian Bonnick about the development of its laser projection system, 12-channel audio and the IMAX 'DNA'...
Steve May  |  Sep 11, 2015  |  0 comments
Revealed: The golden rules of home cinema - and when it's okay to break them
Team HCC  |  Dec 14, 2021  |  0 comments
On the hunt for a Blu-ray boxset to binge on Boxing Day, or some AV add-ons for your cinema room? We draw up a wish list of accessories, software, movie merch and more
Adam Rayner  |  Aug 10, 2013  |  0 comments

It all started with a disastrous screening at my local multiplex cinema, where I eventually had to complain about stifling heat, 3D trailers in a no-glasses 2D showing and a baffling system of seat allocation. And when the complaint yielded a grunted response, I began looking for another cinema for my business – and discovered that my local Odeon in Uxbridge had a new IMAX screen.

Mark Craven  |  Jun 02, 2022  |  0 comments
Looking for a speaker system with Hollywood heritage? JBL Synthesis wants to help. Mark Craven treats his ears to a 9.4.6 array in a dedicated room where even the amplifiers have brains...

The American audio marque JBL has a storied history when it comes to cinema sound. Founder James Bullough Lansing, then with his Lansing Manufacturing Company, answered the call from studio MGM in the 1930s when it sought loudspeakers of better quality to do justice to its slate of new 'talkies'.

Mark Craven  |  Feb 19, 2013  |  0 comments
We regularly see Kaleidescape setups in professional cinema installs. Premium movie player/server combis, they're priced beyond the aspirations of the thriftier home theatre enthusiasts, who are more likely to make do with a combination of NAS drive, media player software and massive jumble of metadata mess. Yet part of the appeal of Kaleidescape, beyond its sophisticated-looking hardware, is the super-slick user interface, idiot-proof usability, and its Movie Guide database. The latter stores info on literally hundreds of thousands of titles so that whatever disc an owner adds to their system, the necessary metadata appears. Kaleidescape claims it's unique. We spoke to Simon Diplock, from Kaleidescape UK, about what makes it tick.   'A typical day in Movie Guide requires skill and agility,' jokes Diplock. 'Leaping over boxes while balancing a tower of discs in one hand and a remote control in the other is not something just anyone can do.' More seriously, Diplock admits that his days aren't just spent watching films. 'The job requires more than you would imagine. Every day, DVDs, CDs and Blu-ray discs are delivered to each of our offices for special processing. And there, the journey of the disc begins.'   'While the disc imports, we gather up all the crucial metadata about the film: who’s in it, who directed it, which year was it released, which studio made it, what is its rating, how long it is. All of this goes into Kaleidescape’s proprietary database.   'After typing all this out, Movie Guide artistry comes to life. What’s the movie about? Can you type that in 25 words or less and make it snappy and interesting? We write a short synopsis of each film that does just that.'   This is just the tip of the iceberg, however. Once the cover art has been scanned in, Kaleidescape prepares to 'slice and dice' the disc.   Eh? Diplock explains.'The start and end points of the film are marked so that any custom controls programmed by the installer who fits the system will sync with the movie, like lights fading in time with the credits and popcorn popping from the nearby machine when the homeowner presses play, etc. The aspect ratio and borders of the film are also 

Steve May  |  Jun 19, 2020  |  0 comments
We chat to Dan Durran from RED Digital about being ahead of the pixel curve, the benefits of downsampling, and I Love Lucy...

Pages

X