LATEST ADDITIONS

Anton van Beek  |  Nov 13, 2010  |  0 comments

Avatar is a frustrating film in so many ways, not least the fact that while Cameron has clearly spent years creating an engrossing and entirely believable new cinematic world, he then uses it as the backdrop for a fairly ordinary tale packed with wooden acting and leaden dialogue.

Anton van Beek  |  Nov 10, 2010  |  0 comments

Beauty and the Beast ranks up there amongst Disney’s animated crown jewels. A critical and commercial smash, this charming film even held the distinction of being the only animation to be nominated for the Best Picture Academy Award until Pixar’s Up got the nod earlier this year.

Mark Craven  |  Nov 01, 2010  |  0 comments

The Big Four: Live From Sofia is an indispensable BD platter for thrash metal hedz, as it captures the only time these titans of the genre (Anthrax, Megadeth, Slayer and Metallica) have shared the same stage. Filmed at the Sonisphere music festival in Bulgaria, and running for five hours, it’s a non-stop barrage of razor-sharp riffs, pounding kick drums and snarled vocals that’s guaranteed to leave fans grinning from ear to ear.

Anton van Beek  |  Oct 25, 2010  |  0 comments

The Back to the Future Trilogy should play an integral part in every home cinema fan’s collection, standing proudly alongside the like of the Star Wars, Indiana Jones, Jurassic Park and Alien boxsets.

Anton van Beek  |  Oct 19, 2010  |  0 comments

When Sarah Tyler (Isabella Calthorpe) returns from America to visit her family home in the English countryside, it's not long before she gets much more than she had bargained for. Together with her extended step-family and a bunch of old friends, Sarah discovers that something else has also decided to visit the remote mansion at the same time. Something very hungry, that will happily spend the 13 hours they have left until sunrise picking them off one by one.

Anton van Beek  |  Oct 18, 2010  |  0 comments

Predators was designed to be the sequel that Arnold Schwarzenegger’s 1987 hit has always ‘deserved’ according to producer Robert Rodriguez. What he and director Nimrod Antal have delivered is effectively a reworking of the original, with a selection of trained killers finding themselves kidnapped and taken to a strange jungle where they’re hunted by invisible creatures. That said, despite lacking much in the way of original story ideas, Predators is a perfectly enjoyable piece of disposable cinema, with decent performances, good FX and plenty of violence.

Anton van Beek  |  Oct 12, 2010  |  0 comments

Let's not beat around the bush, F1 2010 is easily the best Formula One game to ever grace a games console. Heck, why stop there - it's also the best attempt at capturing the motorsport in videogame form since the glory days of the Geoff Crammond's Grand Prix series.

Anton van Beek  |  Oct 05, 2010  |  0 comments

When it came to football games I was always a Pro Evolution Soccer man. However, since the dawn of the current generation of games consoles, like other fans, I'd suffered through several iterations of PES that failed to live up to expectations, struggling to come to terms with the graphical capabilities offered by the hardware and seemingly taking a step backwards in gameplay terms at the same time. And the ever-popular FIFA franchise was no solution, seemingly still stuck in creating a more arcade-based take on the sport that traded depth for special moves.

Anton van Beek  |  Oct 04, 2010  |  0 comments

It's almost a decade since the talented chaps at Bungie Studios completely redefined the console first-person shooter with the release of original Xbox launch title Halo: Combat Evolved. Over the past nine years the developer continued to weave its magic through a number of sequels that continued to refine the lauded gameplay template it had crafted, wowing fans and critics alike along the way.

Anton van Beek  |  Oct 02, 2010  |  0 comments

Moulin Rouge! is the pinnacle of Baz Luhrmann’s cinema of excess. Described by the filmmaker himself as ‘belonging to a cinematic vernacular where you are essentially heightening the cinematic experience’, this bold, brash and electrifying attempt at re-creating the movie musical for a modern audience offers little original in the way of narrative. But the way it is designed, staged and filmed, not to mention the inventive use of pop songs throughout, makes it a film like nothing you’ve ever seen before – and we wouldn’t have it any other way.

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