Interviews

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Steve May  |  Apr 05, 2013  |  0 comments

Steven Spielberg’s Schindler’s List is the latest high profile classic to be digitally restored by Hollywood giant Universal. Hot on the heels of the studio’s acclaimed 2012 centenary Blu-ray restorations, this 20th anniversary release makes its HD bow courtesy of the cutting-edge mastering techniques, although offered a few unique challenges all its own.

Anton van Beek  |  Aug 12, 2010  |  0 comments

It's common knowledge that the studios are still struggling when it comes to generating interest - and significant sales - for catalogue titles on Blu-ray. All of which made the news that UK-based FremantleMedia was spending a 'sizeable' amount of money remastering the BAFTA award-winning 1973 documentary series The World at War for a Blu-ray release later this year all the more surprising. So HCC paid a visit to London-based restoration and disc-authoring facility Eyeframe to find out more about this mammoth undertaking.

Anton van Beek  |  Aug 31, 2013  |  0 comments

With its bravura mix of violence, intrigue, action and sex, Cinemax's recent hit series Banshee quickly established itself as a firm favourite here at HCC.

Anton van Beek  |  Jul 14, 2014  |  0 comments

To celebrate the DVD release of his new documentary, Video Nasties: The Definitive Guide Part Two - Draconian Days, we caught up with filmmaker Jake West to chat about film censorship and moral panic in the UK during the James Ferman era of the British Board of Film Classification...

Martin Dew  |  Oct 06, 2018  |  First Published: Oct 05, 2018  |  0 comments
Having spread its wings into home cinema and VR, and astonished moviegoers with last Summer's Dunkirk, IMAX is on a roll. We quiz IMAX CTO Brian Bonnick about the development of its laser projection system, 12-channel audio and the IMAX 'DNA'...
Steve May  |  Nov 27, 2018  |  0 comments
Creating the sound design for horrors is an art that all home cinema fans will appreciate, and few audio engineers are as good at it as Trevor Gates. We chat to him about his work on Netflix series The Haunting of Hill House, plus smash hit film Get Out and more...
Mark Craven  |  Oct 25, 2018  |  0 comments
The aim of the 3D Film Archive is to ensure that the format's rich history isn't forgotten. We caught up with its Technical Director Greg Kintz for a discussion of stereoscopic cinema's past, present and future...
Steve May  |  Apr 27, 2014  |  0 comments

In space no one can hear you scream. This kinda makes it difficult to construct an immersive, thrilling yet believable space-locked movie soundtrack – but that's exactly what multi-award-winning sound designer and editor Glenn Freemantle has managed with Alfonso Cuarón’s Gravity.

Anton van Beek  |  Jan 26, 2012  |  0 comments

With its reputation confirmed by its CGI character-creation work on the Lord of the Rings movies and Avatar, New Zealand facility Weta Digital seemed the ideal choice to create the myriad simians for Rise of the Planet of the Apes. But how did Joe Letteri, senior visual effects supervisor and a director of the company, tackle the challenge of creating convincing characters?

Adam Rayner  |  Aug 10, 2013  |  0 comments

It all started with a disastrous screening at my local multiplex cinema, where I eventually had to complain about stifling heat, 3D trailers in a no-glasses 2D showing and a baffling system of seat allocation. And when the complaint yielded a grunted response, I began looking for another cinema for my business – and discovered that my local Odeon in Uxbridge had a new IMAX screen.

Steve May  |  Jun 19, 2020  |  0 comments
We chat to Dan Durran from RED Digital about being ahead of the pixel curve, the benefits of downsampling, and I Love Lucy...

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