LATEST ADDITIONS

Ed Selley  |  Jun 17, 2011  |  0 comments
Adapt to adopt 3D Your very own big screen 3D cinema for less than a grand? It’s possible says Steve May, but there are caveats…

Three dimensions work best on a cinema-sized screen where the format is more immersive and ultimately more convincing. While a 3DTV promises a peek through a dimensional window, cinema opens the doors and drags you inside.

Anton van Beek  |  Jun 16, 2011  |  0 comments

It was hailed as a milestone in history of videogame development and a new era for interactive entertainment in the run up to its release. But now that L.A. Noire has finally arrived on shop shelves, does Rockstar Games' latest blockbuster live up to the pre-release hype? And does the game really get us any closer to the arrival of the long-fabled interactive movie?

Anton van Beek  |  Jun 14, 2011  |  0 comments

The high-speed thrills provided by motor sports have been a popular subject for videogame designers since the birth of the industry, with games like Namco's Pole Position and Micromega's 3D Death Chase showcasing what could be achieved on even the most basic hardware. The technological grunt of today's consoles ensures that driving games are more exciting and realistic than ever before, and they don't come much better than Codemasters' DiRT3.

Anton van Beek  |  Jun 13, 2011  |  0 comments

Paul sees Shaun of the Dead and Hot Fuzz co-stars Simon Pegg and Nick Frost making the trip across the Atlantic for an amiable sci-fi comedy about two geeky Brits on a road-trip around America’s UFO hotspots who bump into a real-life extra-terrestrial (voiced by Seth Rogen).

Anton van Beek  |  Jun 13, 2011  |  0 comments

True Grit represents another notch on the belt for filmmaking brothers Joel and Ethan Coen, marking a return to the pinnacle of contemporary American filmmakers after the rather sleight Burn After Reading and A Serious Man.

Anton van Beek  |  Jun 10, 2011  |  0 comments

Once Upon a Time in the West isn’t just one of the greatest westerns – it’s one of the greatest films ever made. Working with the backing of a major American studio and scripted by two young Italian film critics who would eventually become respected filmmakers in their own right (Dario Argento and Bernardo Bertolucci), Leone’s film felt like the summation of the many themes he had begun exploring in his Dollars Trilogy. What initially appears to be a simple tale of revenge soon transforms into an operatic contemplation of the myth and legend of the Wild West with a cast to die for, spectacular images you could frame and hang in a gallery and Ennio Morricone’s greatest score. Cinema doesn’t get much better than this.

Anton van Beek  |  Jun 07, 2011  |  0 comments

The Fighter is the latest in a long line of films that shows just how well cinema and boxing go together. Thanks to the ease with which they bring together three of it’s the industry’s favourite themes - human drama, triumph of the underdog and people being hit in the head repeatedly - Hollywood’s history is lined with hymns to professional pugilists (either fictitious or real) in the form of classics like The Champ, Gentleman Jim, Rocky and Raging Bull.

Anton van Beek  |  Jun 06, 2011  |  0 comments

Taxi Driver remains the highpoint of Martin Scorsese and Robert De Niro many cinematic collaborations. Which is quite something when you consider that this 1976 masterpiece had to beat out Raging Bull and Goodfellas for that particular honour.

Anton van Beek  |  Jun 06, 2011  |  0 comments

The Bridge on the River Kwai finds David Lean at his absolute best. Every bit the equal to his latter Lawrence of Arabia, this astonishing World War II epic stars Alec Guinness as Colonel Nicholson, a no-nonsense army man who obsession with rules clouds his loyalties when he and his fellow POWs are put to work building a bridge for the Japanese in the jungles of Burma. On a collision course with him is William Holden’s Shears, an American who escaped from the camp and has been forced to return with a small team to destroy the bridge.

Anton van Beek  |  Jun 06, 2011  |  0 comments

The Mechanic isn’t a film about the trials and tribulations of a wannabe Kwik-Fit fitter. It’s actually a remake of the 1972 Charles Bronson movie of the same name, with HCC favourite Jason Statham taking over as the burly bloke who makes his living ‘fixing things’ (by killing people). With its undemanding student-teacher story and its predictable twists, the film doesn’t add anything to the genre that you won’t find in numerous straight-to-DVD flicks. But The Mechanic does offer up some great action and the chance to see Statham kicking ass again – which should keep fans happy for a couple of hours.

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